2002 Recent Releases
New Releases Foundries Added
Find a new favorite font as we premier the latest typefaces and type families.
New Weights of Conduit
Mark Van Bronkhorst
December 2002
Mark Van Bronkhorst says he had parking lot signs in mind when he designed ITC Conduit. “It’s the kind of lettering you might find on boilers, assembly diagrams, and desiccant packets,“ he explains.
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Twentieth Century Poster
Steve Matteson & Carl Crossgrove
November 2002
An all-caps font, Twentieth Century Poster includes a suite of alternative capitals in the lowercase positions, making it easy to create custom headlines and display copy.
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Goudy Ornate
Steve Matteson & Carl Crossgrove
November 2002
Goudy Ornate. Now available in a digital revival by Steve Matteson and Carl Crossgrove, is the perfect titling companion to other Goudy designs.
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Othello
 Steve Matteson & Carl Crossgrove
November 2002
Meet Othello, an action-packed revival of a 1928 release that now offers an expressive variety of letter variants. It’s a perfect choice for display copy that requires a direct and immediate feel.
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ITC Cinderella
Patricia Lillie
October 2002
Some typefaces are staid, somber design tools. Then again, there’s ITC Cinderella from Patricia Lillie: a typeface that’s light-footed as a ballerina and joyful as a child at play.
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ITC Batak
Charles Nix
October 2002
In Northern Sumatra, on the crystal clear waters of Lake Toba sits the island of Samosir. For centuries the secluded home of the Batak people and the inspiration for the Charles Nix design “Batak”.
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Scene
Sebastian Lester
September 2002
Calm, clean, and legible, on-screen or in print. That’s Scene, a six-weight family of typefaces by Sebastian Lester that was designed with corporate identity projects in mind.
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ITC Napoleone Slab
Silvio Napoleone
August 2002
According to designer Silvio Napoleone, “The concept developed from my explorations as a student in an independent lettering class. I sketched many historical letterforms by brush. I continued experimenting for several years after, sketching by hand and on the computer.
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 ITC Atelier Sans
Nick Curtis
July 2002
Atelier Sans began as one of Curtis’s renovations. His goal was to create a monoline design with Art Deco “sensibilities,” but without the geometric precision and relatively small x-height of faces like Futura
or Kabel.
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ITC Hedera
Olivera Stojadinovic
July 2002
ITC Hedera’s roots can be traced to a suite of initials intended for book design by Olivera Stojadinovic.
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 ITC Jeepers
Nick Curtis
July 2002
Designer Nick Curtis found the inspiration for this typeface on a 1920s poster for a German bookseller.
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ITC Scram Gravy
Nick Curtis
July 2002
ITC Scram Gravy takes its name from one of many running gags in the screwball comic strip “Smokey Stover.”
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 ITC Tickle and ITC Tickle Too
Patricia Lillie
July 2002
When Patricia Lillie was growing up, she thought the coolest thing in the world would be finding her own name listed in a library catalog.
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Einhorn, Bottleneck & Zipper
Alan Meeks, Tony Wenman & Phillip Kelly
June 2002
Einhorn, Bottleneck & Zipper! An eclectic collection of Art Nouveau and 70s Psychedelic designs, digitally remastered for today’s graphic designer. Add a nostalgic essence to your next project.
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 ITC Mr Chuckles & ITC Zinzinnati
Nick Curtis
May 2002
Two new designs from ITC and Nick Curtis. Based on the premise that barrel shapes have pleasant associations, ITC Mister Chuckles is round and robust. ITC Zinzinnati is based on a font called Ohio.
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Mosquito
Éric de Berranger
April 2002
Éric de Berranger likes to multitask, and often works on two typeface families at once. Such was the case with Mosquito, a jaunty sans that was developed at the same time he was creating the more traditional Maxime.
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ITC Oldrichium
George Thompson
March 2002
Spirited, unaffected and buoyant, the ITC Oldrichium type family pays homage to the calligraphy and typeface designs of Czech designer Oldrich Menhart.
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Woodcut Alpha & West of China
Hans Bacher
February 2002
West of China and Woodcut Alpha. Two new designs from Hans Bacher that run the gamut from exotic “faux Chinese” calligraphic lettershapes to hefty “Paul Bunyan” massiveness.
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Haarlemmer
Frank E. Blokland
January 2002
Haarlemmer is a recreation of a never-produced Jan Van Krimpen typeface that goes one step beyond authentic: it shows how he wanted it to be designed in the first place.
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