2003 Recent Releases

Find a new favorite font as we premier the latest typefaces and type families.

ITC Oldbook
Eric de Berranger
December 2003

Pleasingly weatherbeaten, ITC Oldbook simulates the look of antique printing while retaining the even color and high legibility of a text design. This new old face comes with complementary italics, small caps, alternate characters and more.

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Fairbank
Alfred Fairbank
November 2003

Fairbank and Fairbank Chancery are perfect designs for greeting cards, invitations, and elegant seasonal projects. Based on an Italian renaissance model, and originally intended as a companion italic to Bembo.

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ITC Medea
Silvio Napoleone
October 2003

ITC Medea is essentially a careful blending of the modern sans serif with the elegant forms of the uncial. At first glance, Medea appears to be constructed of geometric shapes.

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ITC Tactile
Joe Stitzlein
September 2003

Designer Joe Stitzlein says, “I wanted to create a modern and dynamic serif face that draws its forms from antiquity. I also wanted to have as much fun as possible with the drawing and architecture of each letter.”

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Mosquito Formal
Éric de Berranger
August 2003

Mosquito Formal takes the original jaunty design of Mosquito and dresses it in a tuxedo. The result is a more serious–and more sophisticated typeface.

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Felbridge
Robin Nichols
June 2003

Felbridge, a new type family by Robin Nicholas, was designed to be a versatile and powerful communication tool. This strong, clear sans serif is exceptionally readable and attractive in low-resolution environments, and works wonderfully in traditional print applications as well.

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Braff
Michael Harvey
May 2003

The origins of Braff go back more than forty years to 1961, when Harvey was beginning his career as a stone carver...

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Zemestro
Dave Farey
May 2003

Zemestro, “There’s nothing calligraphic about it, and there are no defining or identifiable single characters – it’s just clean and simply constructed” according to its designer, Dave Farey.

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Tabula
Julien Janiszewski
April 2003

Originally conceived as a font to set film subtitles, according to Paris-based designer Julien Janiszewski. “I set parameters for the design whereby the letters had to be able to hold up at very small sizes...”

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Monotype® Library
April 2003

The new Monotype Library has been expanded to include hundreds of new releases and exclusive designs that are quickly emerging as the next generation of typeface standards. The Monotype Library: the definitive font collection.

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Linex Sans
Albert Boton
March 2003

Linex Sans is a mix of crisp angles and soft shapes, this new addition to the extended Linex family is both inviting and elegant.

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Mundo
Carl Crossgrove
February 2003

Mundo is poised to stand the test of time. This humanistic sans serif by designer Carl Crossgrove is distinctive without being revolutionary. With seven weights plus a suite of cursive italics, it’s versatile enough for any application.

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Sweeney
Kathryn Darnell
January 2003

Here’s a typeface to go mad over: Sweeney, named after a legendary Irish king and imbued with a medieval Celtic flair. This italic uncial comes with a companion font of illuminated initial letters.

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