2006 Recent Releases
New Releases Foundries Added Fonts Added
Find a new favorite font as we premier the latest typefaces and type families.
 Adobe Type Collection, OpenType Edition
The Adobe® Type Collection, OpenType® Edition features many of the most widely-used typefaces plus hundreds of new additions, all in OpenType format.
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 ITC Berkeley Oldstyle Pro
December 2006
Meet ITC Berkeley Oldstyle Pro, a lovely and practical font family. With this release, one of Frederic Goudy’s favorite designs is finally available in OpenType format.
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 ITC Tyfa Pro
December 2006
A veritable Czech-list of designers worked to bring Tyfa to the West. After decades of persistence (and the end of the Cold War), this neoclassical text family has finally taken its rightful place as a design of international distinction. Now available in OpenType format.
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 ITC Tabula Pro
December 2006
Two years in the making – after languishing in a drawer for several months – ITC Tabula is both handsome and easy to read. Now, OpenType Pro makes it an even more attractive design.
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 Dante Pro
December 2006
From the original hand-set fonts created by the great Giovanni Mardersteig, through hot metal, phototypesetting, and digital technologies, Dante has proven itself an enduringly beautiful and sought-after design. Now it’s available in OpenType format.
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 Slate
November 2006
A truly beautiful typeface that achieves stellar levels of readability, in print and on screen. Meet Slate, from award-winning designer Rod McDonald. This six-weight sans serif family is a rare example of sublime aesthetics meeting world-class functionality, and no graphic communicator will want to be without it.
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 Menhart Pro
October 2006
Menhart, the lovely 1930s typeface by Czech designer Oldrich Menhart, is now available in digital form. Newly revived, the two OpenType-format designs capture the versatility and functionality today’s graphic designers demand.
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 ITC Officina Pro
September 2006
Practicality and style – no, it’s not the perfect shoe, it’s ITC Officina. This large and incredibly versatile typeface family offers industrial-strength functionality without sacrificing charm. And it’s now available in OpenType format, too.
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 ITC Aram
August 2006
A spontaneous drawing of letters that just happen to work together – the ease of this typeface’s creation by designer Jana Nikolic is nothing short of delightful. So is ITC Aram. With a standard lowercase and two contrasting uppercase designs, ITC Aram invites you to mix and match characters into playful, expressive settings.
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 Scene Pro
July 2006
Calm, clean, and legible, on-screen or in print. That’s Scene, a six-weight family of typefaces by Sebastian Lester that was designed with corporate identity projects in mind.
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 ITC Outpost
June 2006
ITC Outpost is a striking, versatile family with a subtly exotic feel. Born in the white heat of inspiration, this sensuous design is the second ITC release from designer Hal Taylor.
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 ITC Galliard Pro
May 2006
Four centuries after Robert Granjon cast his fonts in metal, the complete ITC Galliard family is now available in OpenType format.
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 Julietrose
May 2006
A charming and vivacious script that’s highly legible – the irresistible Julietrose is a welcome guest at nearly any occasion. Designed by Martin Wait, Julietrose also offers a suite of swash and alternate characters in OpenType format.
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 Zephyr
April 2006
Zephyr is the rebirth of a forty-year-old design by world-renowned stone carver Michael Harvey.
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 ITC Library, OpenType Edition
March 2006
With new OpenType versatility, 100 new typefaces, and a perfect blend of classic text and innovative display designs, the ITC Library, OpenType Edition is ITC’s most powerful collection to date.
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 Morris Freestyle
March 2006
Who better than a former packaging designer to understand how to create a legible, space-efficient typeface that’s both friendly and versatile? Keith Morris’s first commercial design is Morris Freestyle, a “semi-script” with personality and verve.
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 Monotype Library, OpenType Edition
January 2006
The new Monotype Library, OpenType Edition is backed by powerful OpenType capabilities and dozens of new fonts.
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 ITC New Baskerville
January 2006
Centuries after its creation, Baskerville continues to be one of the world’s most widely used typefaces. Inviting and highly legible, this perpetually fresh design has been revived, expanded, and is now available in OpenType format.
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