2009 Recent Releases

New Releases  Foundries Added  Fonts Added 

Find a new favorite font as we premier the latest typefaces and type families.

The personality of classic serif designs, but without serifs, and drawn to complement each other – that’s the Chong Old Style™ and Chong Modern™ type designs, by Chong Wah. Based on centuries-old stylistic models, the faces are also as current as tomorrow’s news – and are available as versatile OpenType Pro fonts.

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Diotima
May 2009

Over 70 years in the making, the Diotima® Classic typeface family is not only one of the most beautiful typefaces ever designed – it is also one of the more versatile.

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Malabar
May 2009

The Malabar™ typeface family from Dan Reynolds is all about setting highly legible, easy to read text copy. From its ample lowercase x-height and proportionally small capitals to its distinctive old style design traits, Malabar has been designed to perform as well at small sizes as it does at large.

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DIN Next
April 2009

DIN is a 100-year-old typeface that was in dire need of a makeover – and Linotype’s Akira Kobayashi has done just that. Originally available in only two weights, the DIN Next™ typeface enlarges the family to 25 designs perfectly suited for today’s digital typesetting needs.

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ITC Johnston Pro
April 2009

Designed with Edward Johnston’s “London Underground Railway” typeface in mind, the ITC Johnston™ family is now available as a suite of OpenType® Pro fonts. This versatile family by type designers David Farey and Richard Dawson offers extended capabilities while retaining its original twentieth-century feel.

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ITC Migration Sans
March 2009

Through his hands-on experience choosing fonts as a graphic designer, type newcomer André Simard developed a type family with a good measure of design sensibility. His ITC Migration™ Sans suite of fonts offers five readable weights that can be utilized across a variety of projects. Expect more to come from this designer-turned-typophile.

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ITC Pino
March 2009

This lively sans serif created to fit children’s magazine illustrations holds it own in “mature” design projects with its characteristic shapes and unsparing x-heights. Offering three versatile, yet distinctive weights, Slobodan Jelesijevic’s harmonious ITC Pino™ typeface family moves beyond illustrations for children into a full range of applications necessitating a charming font.

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Trade Gothic Next
February 2009

Since its initial release, Trade Gothic has been a stable part of American graphic design work, and has been used internationally as well.

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Egyptian Slate
January 2009

Just as the camera adds weight to human faces, serifs can add weight to typographic faces. Rod McDonald trimmed and adjusted his new Egyptian Slate™ design as it emerged from its sans serif predecessor, the Slate™ design. The result is a solid and stylish slab serif design that will look superb in the spotlight of your choosing.

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