2009 Recent Releases
New Releases Foundries Added Fonts Added
Find a new favorite font as we premier the latest typefaces and type families.
ITC Chino
November 2009
With two styles and twelve weights, the ITC Chino™ family is distinctive, versatile – and available as OpenType Pro fonts. The display designs are friendly and inviting while the text faces are no-nonsense communicators – albeit, with a twinkle in their eye. This new family from Hannes Von Döhren and Livius Dietzel is sure to become an important design tool.
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ITC American Typewriter Pro
November 2009
Practically since the typewriter was invented, typestyles have been created to emulate typewriter type. But it took ITC to develop ITC American Typewriter™, the first design that looks like typewriter type but performs with all the power of a typographic font. As a further enhancement to this special design, ITC American Typewriter is now available as OpenType Pro fonts.
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Ysobel Pro
October 2009
The Ysobel™ typeface family is elegant, versatile and a consummate graphic communicator which is also available as OpenType Pro fonts. Designed for newspaper and periodical copy, it is equally at home anywhere that easy reading and space economy are important design goals.
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ITC Humana Pro
October 2009
With three styles and 15 weights, the ITC Humana family is distinctive, versatile and now available as OpenType Pro fonts. The serif design is legible yet warm. The sans serif faces have a clean look without appearing clinical, and the italics and scripts are inviting emphasizers.
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Libelle
September 2009
 The Libelle™ typeface is a luxuriant and dazzling display of the lettering and typographic arts. This digital interpretation of the 18th-century copperplate hand harnessed the power of the OpenType™ format to produce a font that is not only stunning, but also extraordinarily versatile.
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ITC New Baskerville Pro 
September 2009
The ITC New Baskerville™ family continues the proud tradition of this classic typestyle. Inviting and highly legible, this perpetually fresh old style design has been revived, expanded, and is now available as Pro OpenType fonts.
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Neue Frutiger 
August 2009
A collaborative design effort between Adrian Frutiger and Akira Kobayashi, Neue Frutiger® has the power and grace of a Waikiki wave. The suite of typefaces takes Adrian Frutiger’s original design, refines it, expands it and makes it a classic for the 21st century.
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ITC Obliqua
August 2009
Affable, legible and versatile, the Obliqua™ typeface family has it all. Drawn by César Puertas, this new ITC typeface should be a valuable addition to any graphic designer’s tool kit.
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ITC Legacy Square Serif and ITC Legacy Serif
July 2009
ITC Legacy™ Square Serif and ITC Legacy Serif Condensed designs, from Ron Arnholm, are the newest additions to the ITC Legacy family of typefaces. These new designs are great communicators in their own right and, when added to the other faces in the Legacy series, create a type family that is greater than the sum of its parts.
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Chong Old Style and Chong Modern
June 2009
The personality of classic serif designs, but without serifs, and drawn to complement each other – that’s the Chong Old Style™ and Chong Modern™ type designs, by Chong Wah. Based on centuries-old stylistic models, the faces are also as current as tomorrow’s news – and are available as versatile OpenType Pro fonts.
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 Diotima
May 2009
Over 70 years in the making, the Diotima® Classic typeface family is not only one of the most beautiful typefaces ever designed – it is also one of the more versatile.
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 Malabar
May 2009
The Malabar™ typeface family from Dan Reynolds is all about setting highly legible, easy to read text copy. From its ample lowercase x-height and proportionally small capitals to its distinctive old style design traits, Malabar has been designed to perform as well at small sizes as it does at large.
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 DIN Next
April 2009
DIN is a 100-year-old typeface that was in dire need of a makeover – and Linotype’s Akira Kobayashi has done just that. Originally available in only two weights, the DIN Next™ typeface enlarges the family to 25 designs perfectly suited for today’s digital typesetting needs.
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 ITC Johnston Pro
April 2009
Designed with Edward Johnston’s “London Underground Railway” typeface in mind, the ITC Johnston™ family is now available as a suite of OpenType® Pro fonts. This versatile family by type designers David Farey and Richard Dawson offers extended capabilities while retaining its original twentieth-century feel.
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 ITC Migration Sans
March 2009
Through his hands-on experience choosing fonts as a graphic designer, type newcomer André Simard developed a type family with a good measure of design sensibility. His ITC Migration™ Sans suite of fonts offers five readable weights that can be utilized across a variety of projects. Expect more to come from this designer-turned-typophile.
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 ITC Pino
March 2009
This lively sans serif created to fit children’s magazine illustrations holds it own in “mature” design projects with its characteristic shapes and unsparing x-heights. Offering three versatile, yet distinctive weights, Slobodan Jelesijevic’s harmonious ITC Pino™ typeface family moves beyond illustrations for children into a full range of applications necessitating a charming font.
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 Trade Gothic Next
February 2009
Since its initial release, Trade Gothic has been a stable part of American graphic design work, and has been used internationally as well.
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 Egyptian Slate
January 2009
Just as the camera adds weight to human faces, serifs can add weight to typographic faces. Rod McDonald trimmed and adjusted his new Egyptian Slate™ design as it emerged from its sans serif predecessor, the Slate™ design. The result is a solid and stylish slab serif design that will look superb in the spotlight of your choosing.
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