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Fontrology

 
All articles:
Using Type Tools:
  • Tab Leaders
  • Style-linked fonts
  • Spacing and Kerning, Part 2
  • Spacing and Kerning, Part 1
  • Small Caps in InDesign CS3 and QuarkXPress 7
  • Scaling Logos
  • Optical Margin Alignment in InDesign
  • OpenType Pro
  • OpenType Numerals
  • Making Fractions in OpenType
  • OpenType Features
  • Nonbreaking Hyphens
  • Missing Font Mysteries- Solved At Last!
  • From metal to digital: Bridging the gap, Optimizing digital font readability (Part 2)
  • From metal to digital: Understanding the underlying differences (Part 1)
  • Kerning in QuarkXPress and InDesign
  • InDesign Shortcuts: Special Characters
  • Importing Text
  • Hanging Characters in QuarkXPress® 8
  • Go Wild With OpenType
  • Glyph Palettes
  • Fonts on the Web: Web-safe Fonts
  • Smooth Your Fonts
  • FontExplorer X Pro and Server
  • ESQ Fonts - The Best Solution for the Screen
  • ESQ Fonts
  • A Brief History of Digital Type
  • Converting Text to Outline
  • Change those defaults!
  • Baseline Shift
  • Automatic Page Numbering
  • Auto Leading
  • + More...
Font Info:
Situational Typography:
Typographic Reference:
Glyphs & Characters:
Fine Typography:
Fontology

Using Type Tools

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  • OpenType Features

    OpenType fonts often contain a treasure trove of typographic options. Discover some easy ways to enhance your typography by taking advantage of discretionary ligatures, swashes or titling alternates – to name just a few.

  • Nonbreaking Hyphens

    Take charge of your hyphens. To produce top-notch typography, don’t let your design application hyphenate phone numbers, URLs or proper names. Master these simple steps to show your hyphens who’s boss.

  • Missing Font Mysteries- Solved At Last!

    Why do fonts that you are not using in a document show up as “missing”? Here are the four likeliest causes — and how to avoid them.

  • From metal to digital: Bridging the gap, Optimizing digital font readability (Part 2)

    One size cannot fit all … uses. Each digital font is designed to look its best within a particular point-size range, but you can easily adjust a font’s built-in spacing and kerning to extend its “optimal readability range.” .

  • From metal to digital: Understanding the underlying differences (Part 1)

    The profusion of digital fonts has ushered in a new Golden Age in terms of typesetting productivity and creativity. It’s helpful to understand the material difference between metal type and digital fonts — and how you can work around it.

  • Kerning in QuarkXPress and InDesign

    Even with today’s digital typesetting technology, some things still have to be done by hand — or do they? Here’s a look at the powerful kerning features built into two popular design applications. Use these features wisely and you’ll save time while achieving better typography, too.

  • InDesign Shortcuts: Special Characters

    Setting type frequently requires the use of symbols, typographically appropriate punctuation and invisible characters that are not easily found on the keyboard. Adobe® InDesign® CS3 has come to the rescue by collecting many of these characters and putting them in an easily-accessible flyout palette off the main menu.

  • Importing Text

    Although many people still use the old copy and paste method, there is a better way to bring in text.

  • Hanging Characters in QuarkXPress® 8

    Quark loyalists have patiently waited (and exchanged many tales of woe) for advanced typesetting features. The very good news is that Quark 8 has finally leapt up to the plate. It offers improved typographical controls with features that don’t only match – but in some cases surpass – those that Adobe® InDesign® provides.

  • Go Wild With OpenType

    Here are a handful of our favorite fonts that make great use of OpenType's rich capabilities. We’ve selected four diverse scripts and a modern sans serif.

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