The Nobel™ font family is a geometric sans serif family, designed by Sjoerd Henrik de Roos and Dick Dooijes in the early 1930’s for the Amsterdam Type Foundry, Lettergieterij Amsterdam. Like its sister typefaces in the geometric sans serif classification, Nobel’s design works around the purity of simple geometric forms, such as circles and triangles.
In the late twenties, Lettergieterij Amsterdam had invested a great deal of capital in Berlin Type Foundry, H Berthold AG. Seeking to solidify both the financial and creative connections between the two foundries, Lettergiesterij’s Artistic Head, de Roos, decided to pursue a repurposing of Berthold’s Akzidenz-Grotesk® typeface that could keep up with newly developed tastes.
Inspired by the success and popularity of the Futura® font family and its predecessor, the Erbar® font family, de Roos and Dooijes developed their new sans serif in the geometric style. The resulting typeface did not entirely please the team at Lettergieterjj; however, it eventually became one of the most popular typefaces for the Amsterdam foundry.
The typeface was re-envisioned in 1993 by the Dutch Type Library under the guidance of designers Andrea Fuchs and Fred Smeijers. At the same time, Tobias Frere-Jones – who famously referred to Nobel as “Futura cooked in dirty pots & pans”– began his own repurposing of the classic typeface for Font Bureau. At this point, the typeface included 6 styles. This work was later further developed by Cyrus Highsmith and Dyana Weissman with the addition of lighter weights and an expansion to a family of 18 styles.
The Nobel design offers unexpected segues from the usual geometric design of the classification, such as its unexpected double-stack "a". It has been described as more organic than its reserved geometric counterparts. This departure from the sterility of other geometric sans serifs is attributed by some to the influence of the Arts & Crafts School on de Roos. This subtle, albeit definitive, improvisation by de Roos was one of the key factors that endeared Frere-Jones to the typeface.
Typedia: Verlag: The Latest Pre War Modernist Sans
1. Jan Middendorp, Dutch type (Rotterdam: 010 Publishers, 2004), 45
After falling out of favor at the end of the 60’s, the Nobel design experienced a renaissance with its reissue by DTL and Font Bureau. Geometric sans serif typefaces like the Nobel design embody an iconic “modern” ethos associated with the mid-20th century, and are excellent for logo work or headlines meant to reflect that era. The Nobel design is often recommended for book cover and corporate use, and occasionally web use.
Licenses for desktop fonts
A typical desktop font EULA will allow you to install the font on your computer for use with authoring tools including word processors, design tools and other applications that permit font selection. Fonts can also be used for creation of print documents, static images (JPEG, TIFF, PNG) and logos. The cost of a desktop font license is determined by the number of workstations on which the font is to be used.View the desktop EULA for this family
Licenses for Fonts.com Web Fonts subscriptions
The Fonts.com Web Fonts license provides access to a selection of fonts for use on websites for use with CSS@font-face. Font delivery from our global network is available through all subscriptions – even our free plan. Some plans include the option to self-host, access to desktop fonts, and use of our FontExplorer X font manager and Typecast design application. The price of a plan is determined by its pageview allowance and other features included.View the Fonts.com Web Fonts subscription license agreement
Licenses for mobile apps
A mobile app license permits the embedding of a font into the iOS, Android or Windows Phone mobile platforms for a single title and a set number of app installations. You can view and modify the installation limit from the cart. App installations can be spread out across the platforms your app is available for. A new license is not required to cover updates to an app, however installations of newer versions of your app do count toward your installation limit.Learn more about licenses for mobile apps
Licenses for electronic publications (eBooks)
An electronic publication license can be used for the embedding of fonts into electronic documents including e-books, e-magazines and e-newspapers. A license covers only a single title but is valid for the full operating life of that title. Every issue of an e-magazine, e-newspaper or other form of e-periodical is considered a separate, new publication. Format variations do not count as separate publications. If a publication is updated and distributed to existing users, a new license is not required. However, updated versions issued to new customers are defined as new publications and require a separate license.Learn more about licenses for eBooks
Server licenses authorize the installation of a font on a server that is accessed by remote users or website visitors. These licenses are commonly used by Web-based businesses providing goods that are personalized by its users such as business cards, images with captions and personalized merchandise. Users are not allowed to download the font file and the font may not be used outside the server environment. The font may not be employed for a software as a service (SaaS) application in which the service is the actual product and not the means of providing the product. Server licenses cover a set number of CPU cores on production servers (development servers are not counted) on which the font is installed. The license is valid for 1 year.Learn more about server licenses