The Carter Sans™ typeface family is a robust, sophisticated design that melds distinction and clarity in perfect proportions. The greatest influence and driving force behind the design is, of course, Matthew Carter, whose name the typeface bears. Two other designers, however, also lent an accomplished hand with the design: Dan Reynolds, of Linotype, and Berthold Wolpe.
Carter Sans History
Several years ago, Monotype Imaging was looking for a distinctive new sans serif typeface for the ITC Typeface Library and approached Carter with a collaborative design proposal: for Carter to create the foundation of the design and have complete oversight in the family’s development, and for Reynolds to handle the lion’s share of the Pro character set design and font productization. All parties were in favor of the arrangement, and design began late in 2007. How did Wolpe, who had passed away in 1989, become part of the collaborative team? Carter knew Wolpe quite well, having collaborated with him on a design project at Linotype, and had long admired Wolpe’s work. Wolpe’s posthumous contribution is the subtle refrain from his Albertus typeface that Carter incorporated into the design. Reynolds immediately sensed the Wolpe refrain when he saw Carter’s early sketches for the design. He recalls, “For years, I had been a fan of the lettering and typefaces of Berthold Wolpe. My first impression of the Carter Sans characters was that they reminded me of Wolpe’s work. I instantly liked the typeface.”
Carter Sans History
Though not an homage to Albertus, Carter Sans shares the humanistic overtones, hearty shapes and bold simplicity of the Wolpe design. Stroke weights flair slightly, producing just the hint of a serif, and counters do not echo the outside character shapes. Carter describes the design as a “sanserif whose stroke-endings show the effect of the chisel more than the pen.” He was careful to maintain the angularity and crisp shapes of the letters as character weight increases from the Regular, through Medium and Semibold to the Bold design. The final design doesn’t just put on weight — it adds chiseled muscle mass. The italics of Carter Sans have also been kept lean and powerful — with the only vestiges of cursiveness appearing in letters like the ‘e’ and ‘f.’ To supplement the large Pro font character set, which supports most Central European and many Eastern European languages, Reynolds also drew small caps to complement the old style figures drawn by Carter. The result is a design ideally suited to display copy as well as text composition. From his elegant script typefaces of Cascade, Snell Roundhand and Shelly, to the modern classics of Olympian, Charter and Galliard, to the Windows’ system fonts of Tahoma and Verdana, Carter’s typefaces are varied, distinctive, and remarkably versatile graphic communication tools. Carter Sans adds yet another engaging shade to his rich typographic palette. Additionally, the entire Carter Sans family is available as Web fonts, from Fonts.com Web Fonts.
Licenses for desktop fonts
A typical desktop font EULA will allow you to install the font on your computer for use with authoring tools including word processors, design tools and other applications that permit font selection. Fonts can also be used for creation of print documents, static images (JPEG, TIFF, PNG) and logos. The cost of a desktop font license is determined by the number of workstations on which the font is to be used.View the desktop EULA for this family
Licenses for Fonts.com Web Fonts subscriptions
The Fonts.com Web Fonts license provides access to a selection of fonts for use on websites for use with CSS@font-face. Font delivery from our global network is available through all subscriptions – even our free plan. Some plans include the option to self-host, access to desktop fonts, and use of our FontExplorer X font manager and Typecast design application. The price of a plan is determined by its pageview allowance and other features included.View the Fonts.com Web Fonts subscription license agreement
Licenses for mobile apps
A mobile app license permits the embedding of the font into the iOS, Android or Windows RT mobile platforms. Licenses are platform-specific meaning a separate license is required for each platform the font is embedded into. Licenses remain valid for the total operating life of the app and a new license is not required to cover free updates to the app.Learn more about licenses for mobile apps
Licenses for electronic publications (ePubs)
An electronic publication license can be used for the embedding of fonts into electronic documents including e-books, e-magazines and e-newspapers. A license covers only a single title but is valid for the full operating life of that title. Every issue of an e-magazine, e-newspaper or other form of e-periodical is considered a separate, new publication. Format variations do not count as separate publications. If a publication is updated and distributed to existing users, a new license is not required. However, updated versions issued to new customers are defined as new publications and require a separate license.Learn more about licensed for EPUBS
Server licenses authorize the installation of a font on a server that is accessed by remote users or website visitors. These licenses are commonly used by Web-based businesses providing goods that are personalized by its users such as business cards, images with captions and personalized merchandise. Users are not allowed to download the font file and the font may not be used outside the server environment. The font may not be employed for a software as a service (SaaS) application in which the service is the actual product and not the means of providing the product. Server licenses cover a set number of CPU cores on production servers (development servers are not counted) on which the font is installed. The license is valid for 1 year.Learn more about server licenses