The Glypha® font family was designed by the famous Swiss typographer Adrian Frutiger and released by Monotype Imaging in 1977. Based on the earlier Univers® typeface, Glypha is a slab serif font available in five variations (in accordance with Frutiger‘s sliding scale) with matching italics for each one.
Adrian Frutiger, designer of Glypha and a large number of other very well received fonts, was born in Switzerland (Unterseen, Canton of Bern) in 1928. Encouraged to become involved in the world of print by his father and secondary school teachers, he began an apprenticeship at Otto Schaerffli, a printer based in Interlaken, at the age of sixteen.
After this, Frutiger studied under Alfred Willimann and Walter Käch at the Kunstgewerbeschule – the school of applied arts – in Zürich. Between 1949 and 1951 his calligraphy skills in particular were honed greatly, a form of artistic expression which suited him better than drafting.
Frutiger‘s typefaces all share one commonality: the sculptural background Frutiger was encouraged to leave behind by his father and teachers in his pursuit of a career. The letterforms are without fail imaginative even in the most simple situations.
After his time in the Kunstgewerbeschule, Frutiger was recruited by Deberny Et Peignot foundry based on the high quality of his illustrated essay, “Schrift / Écriture / Lettering: the development of European letter types carved in wood.” While there, he was employed to transfer older metal typefaces to the new Linotype phototypesetting method. Arguably his most famous typeface, Univers, was born during this time.
Slab serif fonts have been an integral part of the type world since the eighteen hundreds when they were commonly carved from wood. Small details could not be engraved into the wood as the type would then not be strong enough to withstand the printing process, so much more angular serifs were applied. In modern times, the bolder serifs do not necessarily render the face crude, particularly in Frutiger designs which are fundamentally influenced by calligraphy.
Slab serif fonts are extremely useful in many different design and typesetting projects. Heavier weights can lend themselves well to logotype, whereas lighter variants can be used for a more delicate task. Early typewriter fonts were all slab serif – hence the particular look of a mono-spaced typewritten document.
Possibly the most famous media coverage of any slab serif font is the continual employment of the face in “Wanted” posters. Indeed, at the time of the earliest printing methods, the search for outlaws made the slab serif extremely famous. The inspiration of those early reward posters can be seen in print and web design today, particularly in “grunge” styles.
Glypha‘s sister font, Serifa, was used in the rebranding of the former British Prime Minister Tony Blair‘s official stationary as he went from head of state to a patriarchal role in charitable endeavors.
Frutiger‘s early essay “Schrift / Écriture / Lettering: the development of European letter types carved in wood” was not his last written work. In fact, Frutiger has been the author or co-author six full length books, including “Formen und Gegenformen/Forms and Counterforms” (Syndor Press 1998), “Ein Leben für die Schrift” (Schlaefli & Maurer, 2003), “Der Mensch und seine Zeichen” (Marixverlag, 2004), “Nachdenken über Zeichen und Schrift” (Haupt, 2005) and “Symbole. Geheimnisvolle Bilder-Schriften, Zeichen, Signale, Labyrinthe, Heraldik” (Haupt, 2008).
In 2009, “Typefaces. The Complete Works” (Birkhäuser) was released, detailing over fifty of his fonts from creation to publication, promotion and beyond.
Licenses for desktop fonts
A typical desktop font EULA will allow you to install the font on your computer for use with authoring tools including word processors, design tools and other applications that permit font selection. Fonts can also be used for creation of print documents, static images (JPEG, TIFF, PNG) and logos. The cost of a desktop font license is determined by the number of workstations on which the font is to be used.View the desktop EULA for this family
Licenses for Fonts.com Web Fonts subscriptions
The Fonts.com Web Fonts license provides access to a selection of fonts for use on websites for use with CSS@font-face. Font delivery from our global network is available through all subscriptions – even our free plan. Some plans include the option to self-host, access to desktop fonts, and use of our FontExplorer X font manager and Typecast design application. The price of a plan is determined by its pageview allowance and other features included.View the Fonts.com Web Fonts subscription license agreement
Licenses for mobile apps
A mobile app license permits the embedding of a font into the iOS, Android or Windows Phone mobile platforms for a single title and a set number of app installations. You can view and modify the installation limit from the cart. App installations can be spread out across the platforms your app is available for. A new license is not required to cover updates to an app, however installations of newer versions of your app do count toward your installation limit.Learn more about licenses for mobile apps
Licenses for electronic publications (eBooks)
An electronic publication license can be used for the embedding of fonts into electronic documents including e-books, e-magazines and e-newspapers. A license covers only a single title but is valid for the full operating life of that title. Every issue of an e-magazine, e-newspaper or other form of e-periodical is considered a separate, new publication. Format variations do not count as separate publications. If a publication is updated and distributed to existing users, a new license is not required. However, updated versions issued to new customers are defined as new publications and require a separate license.Learn more about licenses for eBooks
Server licenses authorize the installation of a font on a server that is accessed by remote users or website visitors. These licenses are commonly used by Web-based businesses providing goods that are personalized by its users such as business cards, images with captions and personalized merchandise. Users are not allowed to download the font file and the font may not be used outside the server environment. The font may not be employed for a software as a service (SaaS) application in which the service is the actual product and not the means of providing the product. Server licenses cover a set number of CPU cores on production servers (development servers are not counted) on which the font is installed. The license is valid for 1 year.Learn more about server licenses