Felix Bonge is a young typeface designer working in Hamburg, and the Levato typeface is his first commercial design. Bonge [pronounced Bong-ih] drew his first sketches for Levato several years ago, as a student in the design department of the Fachhochschüle (University of Applied Sciences) in Hamburg, studying under Professor Jovica Veljovic. Bonge also obtained an internship at the Elsner+Flake digital type foundry. He comments, “I didn’t originally set out to make a complete typeface family, but over time my exploration of letterform contrast and proportion became an ongoing project. For four years, I made myriad changes, adaptions and fresh starts.”
“I worked on Levato every semester,” Bonge adds. “At the time I was pretty new to the world of typography. As my knowledge grew – my awareness of the vast arsenal of typographic expression – my typeface character set also grew larger and larger. As I learned about small caps, swash letters, ligatures, etc., the glyph count rose by huge blocks. Finally, the design took control over the design process, and I did what it demanded.”
Bonge’s first drawings for Levato were pencil sketches on paper, but he soon switched to building the design using FontLab software. “Later, as I added characters like the swashes, I went back to sketching very loosely on paper to get a feel for their shape,” he explains, “but the final drawings were completed on screen.”
Levato can be an excellent choice for a wide range of typographic applications, but Bonge is quick to acknowledge that he drew the typeface primarily for setting display copy. “Levato is a headline face, and its name refers to the font’s intended position at the top of the page. ‘Levato’ stems from both the Spanish elevado (high) and the English word elevated. He observes, “Levato has fine details and tight spacing – and a tendency to extravagant expression that make it especially engaging for headlines and titles. With Levato, I’d say the bigger the better!” The Levato family includes a total of 10 typefaces: five weights, ranging from light to black, each with a companion Italic. The designs are available as OpenType Pro fonts, allowing for automatic insertion of small caps, ligatures and a bevy of additional characters (including dot-swashes for the i and j). Pro fonts also offer an extended character set supporting most Central European and many Eastern European languages.
When asked about his favorite aspects of the final design, Bonge quickly answers, “I like the way the playful, almost naïve, swash and alternate characters contrast to the serious, formal shapes of the roman designs.” The vast array of standard ligatures, discretionary ligatures, swashes and alternate characters, ordinals, fractions, superscript and subscript, make Levato a versatile typeface, suitable for advertising headlines in all media, distinctive blocks of display copy and lively magazine spreads.
Additionally, the entire Levato family is available as Web fonts, from Fonts.com Web Fonts.
Licenses for desktop fonts
A typical desktop font EULA will allow you to install the font on your computer for use with authoring tools including word processors, design tools and other applications that permit font selection. Fonts can also be used for creation of print documents, static images (JPEG, TIFF, PNG) and logos. The cost of a desktop font license is determined by the number of workstations on which the font is to be used.View the desktop EULA for this family
Licenses for Fonts.com Web Fonts subscriptions
The Fonts.com Web Fonts license provides access to a selection of fonts for use on websites for use with CSS@font-face. Font delivery from our global network is available through all subscriptions – even our free plan. Some plans include the option to self-host, access to desktop fonts, and use of our FontExplorer X font manager and Typecast design application. The price of a plan is determined by its pageview allowance and other features included.View the Fonts.com Web Fonts subscription license agreement
Licenses for mobile apps
A mobile app license permits the embedding of a font into the iOS, Android or Windows Phone mobile platforms for a single title and a set number of app installations. You can view and modify the installation limit from the cart. App installations can be spread out across the platforms your app is available for. A new license is not required to cover updates to an app, however installations of newer versions of your app do count toward your installation limit.Learn more about licenses for mobile apps
Licenses for electronic publications (eBooks)
An electronic publication license can be used for the embedding of fonts into electronic documents including e-books, e-magazines and e-newspapers. A license covers only a single title but is valid for the full operating life of that title. Every issue of an e-magazine, e-newspaper or other form of e-periodical is considered a separate, new publication. Format variations do not count as separate publications. If a publication is updated and distributed to existing users, a new license is not required. However, updated versions issued to new customers are defined as new publications and require a separate license.Learn more about licenses for eBooks
Server licenses authorize the installation of a font on a server that is accessed by remote users or website visitors. These licenses are commonly used by Web-based businesses providing goods that are personalized by its users such as business cards, images with captions and personalized merchandise. Users are not allowed to download the font file and the font may not be used outside the server environment. The font may not be employed for a software as a service (SaaS) application in which the service is the actual product and not the means of providing the product. Server licenses cover a set number of CPU cores on production servers (development servers are not counted) on which the font is installed. The license is valid for 1 year.Learn more about server licenses