Jürgen Weltin’s Mantika typefaces are tricky to categorize – but easy to like and to use. His reader-friendly designs successfully meld diverse – and divergent – typographic styles. The Roman designs of Mantika Sans clearly have their roots in traditional serif typefaces, though only a hint of the original serifs has survived. The italic designs are inclined at such a slight angle that they appear to be almost upright. Mantika Informal has the easy fluidity of a script but retains the open forms of a sans serif.
Mantika Sans HistoryOpen
Weltin drew the first member of the family, Mantika Informal, in 2010. It was designed primarily with the typesetting of children’s books in mind. The highly legible letterforms seem friendly, creating clear word-images while avoiding the hard-edged mechanical shapes typical of many typefaces used in books for young readers.
The Mantika Sans typefaces that followed two years later are an expansion of Weltin’s original vision. The new, highly legible typefaces widened the range of the family’s use. Character shapes are clear and easy to read – even at very small sizes – while the humanistic undertones give Mantika Sans a far broader reach than many sans serif typefaces.
The Mantika family is also versatile in that it can be set attractively by just about anyone. All the designs have common character widths. This means that letters or words set in any face in the family are interchangeable, having no effect on page layout or line endings. Even inexperienced graphic communicators can combine designs within the family with confidence.
About the DesignerOpen
Born near Lake Constance, which borders Austria, Germany and Switzerland, Weltin studied at the Technical College in Würzburg. This training netted him early stints as a graphic designer in publishing houses, design studios and industrial design firms. His love of letters, however, led him to pursue a career in the typographic arts.
Weltin’s first typeface, Finnegan, was licensed into the Linotype typeface library in 1997. A short time later, he joined The Foundry, in London, where he worked on many of the company’s custom and commercial typeface design projects.
Having left The Foundry early in 2000 to embark on a freelance career in graphic and typographic design, Weltin licensed the Balega typeface to Linotype in 2002, followed by the very large Agilita family in 2007.
Where Mantika Informal has solid organic roots, Mantika Sans is more structured and finds its base in old style, humanistic letterforms. Several design traits contribute to the high level of character legibility Weltin achieved with Mantika Sans. Subtle variations in stroke thickness and sheared terminals give the design a demeanor that evokes pre-Renaissance manuscript calligraphy. The short ascenders and descenders also provide a compactness that is underscored by the typeface’s condensed proportions. This, combined with an ample x-height, and differentiated designs for letters such as the i and l, help create a typeface with high levels of character legibility.
Mantika Sans Italic is marked by a subtle angle, distinctive character designs and flowing strokes. “Within the variety of forms of the italics are many contrasting terminal elements that produce dynamism,” explains Weltin. “The result is a distinctive interaction between rounded and angular forms.” All this makes for a typeface that can do double duty, both as a complement to the Roman designs and as a stand-alone design.
In addition to an extended Latin character set, the Mantika fonts have Pan-European glyphs, enabling the setting of Central and Eastern European languages, as well as Greek and Cyrillic. The fonts also benefit from a wide range of special symbols, including arrows, brackets, subscript and superscript lowercase letters, and multiple collections of numerals.
While primarily intended for setting blocks of copy, the Mantika family will be equally at home in advertising, signage, packaging – and even interface design. And its consistent character widths allow bold and italic designs to be switched in and out of text set in the basic weight, with no change in display line length or text column width.
Licenses for desktop fonts
A typical desktop font EULA will allow you to install the font on your computer for use with authoring tools including word processors, design tools and other applications that permit font selection. Fonts can also be used for creation of print documents, static images (JPEG, TIFF, PNG) and logos. The cost of a desktop font license is determined by the number of workstations on which the font is to be used.View the desktop EULA for this family
Licenses for Fonts.com Web Fonts subscriptions
The Fonts.com Web Fonts license provides access to a selection of fonts for use on websites for use with CSS@font-face. Font delivery from our global network is available through all subscriptions – even our free plan. Some plans include the option to self-host, access to desktop fonts, and use of our FontExplorer X font manager and Typecast design application. The price of a plan is determined by its pageview allowance and other features included.View the Fonts.com Web Fonts subscription license agreement
Licenses for mobile apps
A mobile app license permits the embedding of a font into the iOS, Android or Windows Phone mobile platforms for a single title and a set number of app installations. You can view and modify the installation limit from the cart. App installations can be spread out across the platforms your app is available for. A new license is not required to cover updates to an app, however installations of newer versions of your app do count toward your installation limit.Learn more about licenses for mobile apps
Licenses for electronic publications (eBooks)
An electronic publication license can be used for the embedding of fonts into electronic documents including e-books, e-magazines and e-newspapers. A license covers only a single title but is valid for the full operating life of that title. Every issue of an e-magazine, e-newspaper or other form of e-periodical is considered a separate, new publication. Format variations do not count as separate publications. If a publication is updated and distributed to existing users, a new license is not required. However, updated versions issued to new customers are defined as new publications and require a separate license.Learn more about licenses for eBooks
Server licenses authorize the installation of a font on a server that is accessed by remote users or website visitors. These licenses are commonly used by Web-based businesses providing goods that are personalized by its users such as business cards, images with captions and personalized merchandise. Users are not allowed to download the font file and the font may not be used outside the server environment. The font may not be employed for a software as a service (SaaS) application in which the service is the actual product and not the means of providing the product. Server licenses cover a set number of CPU cores on production servers (development servers are not counted) on which the font is installed. The license is valid for 1 year.Learn more about server licenses