The Weiss™ font family was designed by the accomplished typographer and designer Emil Rudoph Weiss and was published in 1926 by the Bauer foundry in Frankfurt, Germany. Its letterforms have origins in the Renaissance Chancery script style and the font has been popular in book publishing since its release.
Weiss’ creator, Emil Rudolph Weiss, was born in Lahr, Germany in 1875. He studied painting in Paris alongside the famous Toulouse Lautrec and initially had poetic aspirations, even setting his texts to music by Sibelius and Kretschmar. The calligraphy he used to produce the fonts he later became famous for was mostly self-taught and for the majority of his life he claimed to be more interested in water color painting than producing typefaces.
Weiss was hired by the Bauer Type Foundry in Frankfurt, Germany in the early half of the twentieth century and created his numerous typefaces there, including Weiss Fractur – solving the problem of a legible font for German textbooks.
The Chancery font style behind Weiss originated during the Renaissance and had its roots in the work of a number of prominent calligraphers of the time, including Ludovico Vicentino degli Arrighi, Nicolas Jenson and Franceso Griffo. The earliest typefaces sprung out of a hand-drawn background and became the basis for the publication of the very first mass produced books.
With its sloping serifs and top heavy design, the influences of this early styling are apparent all over the Weiss design. Since the letter strokes are wider on the top than the bottom, the font is given a unique and strikingly elegant gait. The same qualities make the typeface instantly recognizable among others of a similarly influenced background.
Over the past century, Weiss has been used in a large number of book binding and publishing endeavors including the famous Pan magazine. The 1931 book Three Months in Spain was an early release set in Weiss-Antiqua#8482; and received considerable acclaim from book clubs in Europe. The 1932 publication The Four Gospels was targeted at an American audience – the only book Weiss ever produced aimed at US markets.
In modern times, the promotional material for the 2009 film The Time Traveler’s Wife was set in Weiss-Antiqua, the kerning adjusted to include a dot-less “i” in the word “time.”
Weiss Media Coverage
Weiss was a prolifically creative individual not only in his typography but also in his graphic design and his poetic art. In his work with Pan magazine, he contributed a great deal of design work and his influence can be seen extensively in earlier issues. He also worked with a number of other magazines and publishing houses including Insel, even before its evolution into a major producer of written material.
In his book binding, Weiss was often responsible for the entire design including the cover. Typography was the icing on the cake; the continuing legacy of the designer’s craft that can be used in the modern world.
Licenses for desktop fonts
A typical desktop font EULA will allow you to install the font on your computer for use with authoring tools including word processors, design tools and other applications that permit font selection. Fonts can also be used for creation of print documents, static images (JPEG, TIFF, PNG) and logos. The cost of a desktop font license is determined by the number of workstations on which the font is to be used.View the desktop EULA for this family
Licenses for Fonts.com Web Fonts subscriptions
The Fonts.com Web Fonts license provides access to a selection of fonts for use on websites for use with CSS@font-face. Font delivery from our global network is available through all subscriptions – even our free plan. Some plans include the option to self-host, access to desktop fonts, and use of our FontExplorer X font manager and Typecast design application. The price of a plan is determined by its pageview allowance and other features included.View the Fonts.com Web Fonts subscription license agreement
Licenses for mobile apps
A mobile app license permits the embedding of the font into the iOS, Android or Windows RT mobile platforms. Licenses are platform-specific meaning a separate license is required for each platform the font is embedded into. Licenses remain valid for the total operating life of the app and a new license is not required to cover free updates to the app.Learn more about licenses for mobile apps
Licenses for electronic publications (ePubs)
An electronic publication license can be used for the embedding of fonts into electronic documents including e-books, e-magazines and e-newspapers. A license covers only a single title but is valid for the full operating life of that title. Every issue of an e-magazine, e-newspaper or other form of e-periodical is considered a separate, new publication. Format variations do not count as separate publications. If a publication is updated and distributed to existing users, a new license is not required. However, updated versions issued to new customers are defined as new publications and require a separate license.Learn more about licensed for EPUBS
Server licenses authorize the installation of a font on a server that is accessed by remote users or website visitors. These licenses are commonly used by Web-based businesses providing goods that are personalized by its users such as business cards, images with captions and personalized merchandise. Users are not allowed to download the font file and the font may not be used outside the server environment. The font may not be employed for a software as a service (SaaS) application in which the service is the actual product and not the means of providing the product. Server licenses cover a set number of CPU cores on production servers (development servers are not counted) on which the font is installed. The license is valid for 1 year.Learn more about server licenses