“Drawing letters is my passion,” says Erik Faulhaber, the designer of the Xenois typeface family. Pronounced “zeeno-is,” the design distills character shapes into what Faulhaber believes are their purest forms. “I studied many typefaces, carefully examining their structure, before I began drawing Xenois. Then I actually wrote out a detailed design brief establishing the goals for my design.”
History of the Typeface
About the Designer
Faulhaber studied design in Karlsruhe at the Center for Art and Media under Professor Kurt Weidemann. “I’ve been fascinated by letters for as long as I can remember,” Faulhaber recalls. “When I was a child, the letters on a book cover, a poster or a truck tarpaulin made a strong impression on me. I found their shapes irresistible, and I fell in love with them.”
After graduating, Faulhaber worked briefly at Linotype outside Frankfurt, and in 1996 embarked on his career as an independent designer. Faulhaber has taught typography at the universities of Halle, Weimar and Wuppertal.
Xenois is more than a simple type family. This far-reaching suite of designs provides solutions for a multitude of communications. The mission Faulhaber set for himself was more extensive than designing a new original typeface and more laborious than creating several individual type families. His task was a combination of these – and then some. The sub-families within the Xenois series interrelate perfectly. They have a common and obvious design bond, yet each is able to stand on its own as a distinct typestyle. The Xenois typefaces are based on a common underlying model; they have the same cap height, the same lowercase x-height, the same stem weights, and the same basic character shapes. This unity of shape and proportion results in a remarkably complementary set of typeface designs.
All the Xenois designs are distinguished by a large lowercase x-height, squared character shapes, somewhat wide proportions and full, open counters. Each sub-family is comprised of five weights from light to heavy, and all have companion italics. Faulhaber not only simplified the sans serif characters, but also did away with many traditional serifs – leaving only those that make reading easier.
The range of applications for the Xenois family is virtually limitless. From restaurant menus to business correspondence, from movie credits to annual reports, from corporate identity systems to advertising campaigns – the various sub-faces in the Xenois family offer appropriate and engaging options. The Xenois family is available as a suite of OpenType® Pro fonts. Designers can now work with this versatile design while taking advantage of OpenType’s capabilities, including the automatic insertion of old style figures, ligatures and small caps. The new Xenois Pro fonts also offer an extended character set supporting most Central European and many Eastern European languages.
Licenses for desktop fonts
A typical desktop font EULA will allow you to install the font on your computer for use with authoring tools including word processors, design tools and other applications that permit font selection. Fonts can also be used for creation of print documents, static images (JPEG, TIFF, PNG) and logos. The cost of a desktop font license is determined by the number of workstations on which the font is to be used.View the desktop EULA for this family
Licenses for Fonts.com Web Fonts subscriptions
The Fonts.com Web Fonts license provides access to a selection of fonts for use on websites for use with CSS@font-face. Font delivery from our global network is available through all subscriptions – even our free plan. Some plans include the option to self-host, access to desktop fonts, and use of our FontExplorer X font manager and Typecast design application. The price of a plan is determined by its pageview allowance and other features included.View the Fonts.com Web Fonts subscription license agreement
Licenses for mobile apps
A mobile app license permits the embedding of the font into the iOS, Android or Windows RT mobile platforms. Licenses are platform-specific meaning a separate license is required for each platform the font is embedded into. Licenses remain valid for the total operating life of the app and a new license is not required to cover free updates to the app.Learn more about licenses for mobile apps
Licenses for electronic publications (eBooks)
An electronic publication license can be used for the embedding of fonts into electronic documents including e-books, e-magazines and e-newspapers. A license covers only a single title but is valid for the full operating life of that title. Every issue of an e-magazine, e-newspaper or other form of e-periodical is considered a separate, new publication. Format variations do not count as separate publications. If a publication is updated and distributed to existing users, a new license is not required. However, updated versions issued to new customers are defined as new publications and require a separate license.Learn more about licenses for eBooks
Server licenses authorize the installation of a font on a server that is accessed by remote users or website visitors. These licenses are commonly used by Web-based businesses providing goods that are personalized by its users such as business cards, images with captions and personalized merchandise. Users are not allowed to download the font file and the font may not be used outside the server environment. The font may not be employed for a software as a service (SaaS) application in which the service is the actual product and not the means of providing the product. Server licenses cover a set number of CPU cores on production servers (development servers are not counted) on which the font is installed. The license is valid for 1 year.Learn more about server licenses