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Function: Shifts various punctuation marks up to a position that works better with all-capital sequences or sets of lining figures; also changes oldstyle figures to lining figures. By default, glyphs in a text face are designed to work with lowercase characters. Some characters should be shifted vertically to fit the higher visual center of all-capital or lining text. Also, lining figures are the same height (or close to it) as capitals, and fit much better with all-capital text. The user selects a block of text and applies this feature. The dashes, bracketing characters, guillemet quotes and the like shift up to match the capitals, and oldstyle figures change to lining figures.
Function: Replaces selected figures which follow a slash with denominator figures. In the string 11/17 selected by the user, the application turns the 17 into denominators when the user applies the fraction feature.
Function: Replaces figures separated by a slash with 'common' (diagonal) fractions. The user enters 3/4 in a recipe and gets the threequarters fraction.
Function: Replaces a sequence of glyphs with a single glyph which is preferred for typographic purposes. This feature covers the ligatures which the designer/manufacturer judges should be used in normal conditions. The glyph for ffl replaces the sequence of glyphs f f l.
Function: This feature changes selected figures from oldstyle to the default lining form. The user invokes this feature in order to get lining figures, which fit better with all-capital text. Various characters designed to be used with figures may also be covered by this feature. In cases where lining figures are the default form, this feature would undo previous substitutions.
Function: Many scripts used to write multiple languages over wide geographical areas have developed localized variant forms of specific letters, which are used by individual literary communities. For example, a number of letters in the Bulgarian and Serbian alphabets have forms distinct from their Russian counterparts and from each other. In some cases the localized form differs only subtly from the script 'norm', in others the forms are radically distinct. This feature enables localized forms of glyphs to be substituted for default forms. The user applies this feature to text to enable localized Bulgarian forms of Cyrillic letters; alternatively, the feature might enable localized Russian forms in a Bulgarian manufactured font in which the Bulgarian forms are the default characters.
Function: Replaces selected figures which precede a slash with numerator figures, and replaces the typographic slash with the fraction slash. In the string 11/17 selected by the user, the application turns the 11 into numerators, and the slash into a fraction slash when the user applies the fraction feature.
Old Style Figures
Function: This feature changes selected figures from the default lining style to oldstyle form. The user invokes this feature to get oldstyle figures, which fit better into the flow of normal upper- and lowercase text. Various characters designed to be used with figures may also have oldstyle versions.
Function: Replaces default alphabetic glyphs with the corresponding ordinal forms for use after figures. One exception to the follows-a-figure rule is the numero character (U+2116), which is actually a ligature substitution, but is best accessed through this feature. The user applies this feature to turn 2.o into 2.o (abbreviation for secundo).
Function: Replaces figure glyphs set on uniform (tabular) widths with corresponding glyphs set on glyph-specific (proportional) widths. Tabular widths will generally be the default, but this cannot be safely assumed. Of course this feature would not be present in monospaced designs. The user may apply this feature to get even spacing for lining figures used as dates in an all-cap headline.
Function: Replaces lining or oldstyle figures with inferior figures (smaller glyphs which sit lower than the standard baseline, primarily for chemical or mathematical notation). May also replace lowercase characters with alphabetic inferiors. The application can use this feature to automatically access the inferior figures (more legible than scaled figures).
Function: Replaces lining or oldstyle figures with superior figures (primarily for footnote indication), and replaces lowercase letters with superior letters (primarily for abbreviated French titles). The application can use this feature to automatically access the superior figures (more legible than scaled figures) for footnotes, or the user can apply it to Mssr to get the classic form.
Function: Replaces figure glyphs set on proportional widths with corresponding glyphs set on uniform (tabular) widths. Tabular widths will generally be the default, but this cannot be safely assumed. Of course this feature would not be present in monospaced designs. The user may apply this feature to get oldstyle figures to align vertically in a column.
Function: This feature replaces default character glyphs with corresponding swash glyphs. Note that there may be more than one swash alternate for a given character. The user inputs the ampersand character when setting text with Poetica with this feature active, and is presented with a choice of the 63 ampersand forms in that face.
Small Capitals From Capitals
Function: Small Capitals From Capitals
Function: This feature turns lowercase characters into small capitals. This corresponds to the common SC font layout. It is generally used for display lines set in Large & small caps, such as titles. Forms related to small capitals, such as oldstyle figures, may be included. The user enters text as mixed capitals and lowercase, and gets Large & small cap text.
Function: Many fonts contain alternate glyph designs for a purely esthetic effect; these don't always fit into a clear category like swash or historical. As in the case of swash glyphs, there may be more than one alternate form. This feature replaces the default forms with the stylistic alternates. The user applies this feature to Industria to get the alternate form of g.
Function: Some letterforms were in common use in the past, but appear anachronistic today. The best-known example is the long form of s; others would include the old Fraktur k. Some fonts include the historical forms as alternates, so they can be used for a 'period' effect. This feature replaces the default (current) forms with the historical alternates. While some ligatures are also used for historical effect, this feature deals only with single characters. The user applies this feature in Adobe Jenson to get the archaic forms of M, Q and Z.
Function: The "subs" feature may replace a default glyph with a subscript glyph, or it may combine a glyph substitution with positioning adjustments for proper placement. Recommended implementation: First, a single or contextual substitution lookup implements the subscript glyph (GSUB lookup type 1). Then, if the glyph needs repositioning, an application may apply a single adjustment, pair adjustment, or contextual adjustment positioning lookup to modify its position.
Function: This is a dual-function feature, which uses two input methods to give the user access to ornament glyphs (e.g. fleurons, dingbats and border elements) in the font. One method replaces the bullet character with a selection from the full set of available ornaments; the other replaces specific "lower ASCII" characters with ornaments assigned to them. The first approach supports the general or browsing user; the second supports the power user. The user inputs qwwwwwwwwwe to form the top of a flourished box in Adobe Caslon, or inputs the bullet character, then chooses the thistle dingbat.
Function: Replaces a sequence of glyphs with a single glyph which is preferred for typographic purposes. This feature covers those ligatures which may be used for special effect, at the user's preference. The glyph for ct replaces the sequence of glyphs c t, or U+322E (Kanji ligature for "Friday") replaces the sequence U+91D1 U+66DC U+65E5.
Function: Some fonts contain both a default form of zero, and an alternative form which uses a diagonal slash through the counter. Especially in condensed designs, it can be difficult to distinguish between 0 and O (zero and capital O) in any situation where capitals and lining figures may be arbitrarily mixed. This feature allows the user to change from the default 0 to a slashed form. When setting labels, the user applies this feature to get the slashed 0.
Function: This feature replaces default character glyphs with corresponding swash glyphs in a specified context. Note that there may be more than one swash alternate for a given character. Example: The user sets the word HOLIDAY in Poetica with this feature active, and is presented with a choice of three alternate forms appropriate for an initial H and one alternate appropriate for a medial L.
Function: Globally adjusts inter-glyph spacing for all-capital text. Most typefaces contain capitals and lowercase characters, and the capitals are positioned to work with the lowercase. When capitals are used for words, they need more space between them for legibility and esthetics. This feature would not apply to monospaced designs. Of course the user may want to override this behavior in order to do more pronounced letterspacing for esthetic reasons. The user sets a title in all caps, and the Capital Spacing feature opens the spacing.
Function: Adjusts amount of space between glyphs, generally to provide optically consistent spacing between glyphs. Although a well-designed typeface has consistent inter-glyph spacing overall, some glyph combinations require adjustment for improved legibility. Besides standard adjustment in the horizontal direction, this feature can supply size-dependent kerning data via device tables, "cross-stream" kerning in the Y text direction, and adjustment of glyph placement independent of the advance adjustment. Note that this feature may apply to runs of more than two glyphs, and would not be used in monospaced fonts. Also note that this feature does not apply to text set vertically. The o is shifted closer to the T in the combination "To."
Function: This feature stores two kinds of information about the optical size of the font: design size (the point size for which the font is optimized) and size range (the range of point sizes which the font can serve well), as well as other information which helps applications use the size range. The design size is useful for determining proper tracking behavior. The size range is useful in families which have fonts covering several ranges. Additional values serve to identify the set of fonts which share related size ranges, and to identify their shared name. Note that sizes refer to nominal final output size, and are independent of viewing magnification or resolution. Required implementation: The Feature table of this GPOS feature contains no lookups; its Feature Parameters field records an offset from the beginning of the Feature table to an array of five 16-bit unsigned integer values. The size feature must be implemented in all fonts in any family which uses the feature. In this usage, a family is a set of fonts which share a Preferred Family name (name ID 16), or Font Family name (name ID 1) if the Preferred Family name is absent.<BR> The first value represents the design size in 720/inch units (decipoints). The design size entry must be non-zero. When there is a design size but no recommended size range, the rest of the array will consist of zeros. The second value has no independent meaning, but serves as an identifier that associates fonts in a subfamily. All fonts which share a Preferred or Font Family name and which differ only by size range shall have the same subfamily value, and no fonts which differ in weight or style shall have the same subfamily value. If this value is zero, the remaining fields in the array will be ignored. The third value enables applications to use a single name for the subfamily identified by the second value. If the preceding value is non-zero, this value must be set in the range 256 - 32767 (inclusive). It records the value of a field in the name table, which must contain English-language strings encoded in Windows Unicode and Macintosh Roman, and may contain additional strings localized to other scripts and languages. Each of these strings is the name an application should use, in combination with the family name, to represent the subfamily in a menu. Applications will choose the appropriate version based on their selection criteria. The fourth and fifth values represent the small end of the recommended usage range (exclusive) and the large end of the recommended usage range (inclusive), stored in 720/inch units (decipoints). Ranges must not overlap, and should generally be contiguous. The size information in Bell Centennial is [60 0 0 0 0]. This tells an application that the fontâs design size is six points, so larger sizes may need proportionate reduction in default inter-glyph spacing. The size information in Minion Pro Semibold Condensed Subhead is [180 3 257 139 240]. These values tell an application that: The font's design size is 18 points; This font is part of a subfamily of fonts that differ only by the size range which each covers, and which share the arbitrary identifier number 3; ID 257 in the name table is the suggested menu name for this subfamily. In this case, the string at name ID 257 is Semibold Condensed; This font is the recommended choice from sizes greater than 13.9-point up through 24-points.
Current Product Technical Details
|Format:||OpenType Pro (CFF)|
|Window Menu Name(s):||Adobe Jenson Pro Lt Subh|
Current Product Technical Details
|Format:||Latin 1 + OT Features|
|CSS Name:||A Jenson W04 Sbd It Sbh|
Available Web Font Formats
|File Size:||1,006.91 Kb|
|File Size:||416.26 Kb|
|File Size:||3,359.26 Kb|
|File Size:||364.93 Kb|
|File Size:||203.91 Kb|