Skip to main content

  • Buy from 47 Checkout In Cart
  • View Family

Try this font now! Use the controls below to customize your text string and its appearance.

Font Size:

Text Color:

Background:

Try this web font now! Simply edit the sample text below or change colors and size.

Font Size:

Text Color:

Background:

@font-face{font-family:"Intro Cond W05 Bold";src:url("//fast.fonts.net/dv2/14/1402730c-2856-4e7e-9d86-ec27afff2fe6.woff2?d44f19a684109620e484147fa790e81859e92aaaea3d337f84586d5df8888fe5455f55e0f83ed0be044ddfaa95e824a4b1318d5b552aaa24a44025e9&projectid=74f39a9d-a5dc-405f-9690-1c1fd4590ae4") format("woff2"),url("//fast.fonts.net/dv2/3/3b679f72-71d3-4dfe-a7f5-f7f12a507050.woff?d44f19a684109620e484147fa790e81859e92aaaea3d337f84586d5df8888fe5455f55e0f83ed0be044ddfaa95e824a4b1318d5b552aaa24a44025e9&projectid=74f39a9d-a5dc-405f-9690-1c1fd4590ae4") format("woff")}
@font-face{font-family:"Intro Cond W01 Bold";src:url("//fast.fonts.net/dv2/14/23891ab7-afe4-4562-891b-0f731bf554f0.woff2?d44f19a684109620e484147fa790e81859e92aaaea3d337f84586d5df8888fe5455f55e0f83ed0be044ddfaa95e824a4b1318d5b552aaa24a44025e9&projectid=74f39a9d-a5dc-405f-9690-1c1fd4590ae4") format("woff2"),url("//fast.fonts.net/dv2/3/787a015e-d054-47d2-8ba2-445c7c467493.woff?d44f19a684109620e484147fa790e81859e92aaaea3d337f84586d5df8888fe5455f55e0f83ed0be044ddfaa95e824a4b1318d5b552aaa24a44025e9&projectid=74f39a9d-a5dc-405f-9690-1c1fd4590ae4") format("woff")}
@font-face{font-family:"Intro Cond W10 Bold";src:url("//fast.fonts.net/dv2/14/07b33e12-2de9-42b6-944a-05fee84c4fbe.woff2?d44f19a684109620e484147fa790e81859e92aaaea3d337f84586d5df8888fe5455f55e0f83ed0be044ddfaa95e824a4b1318d5b552aaa24a44025e9&projectid=74f39a9d-a5dc-405f-9690-1c1fd4590ae4") format("woff2"),url("//fast.fonts.net/dv2/3/a5532b6b-655d-4266-8e3c-d1d1dc12e410.woff?d44f19a684109620e484147fa790e81859e92aaaea3d337f84586d5df8888fe5455f55e0f83ed0be044ddfaa95e824a4b1318d5b552aaa24a44025e9&projectid=74f39a9d-a5dc-405f-9690-1c1fd4590ae4") format("woff")}
@font-face{font-family:"Intro Cond W03 Bold";src:url("//fast.fonts.net/dv2/14/b8e42fcf-8c79-4276-8ef2-1fc1b44bdc68.woff2?d44f19a684109620e484147fa790e81859e92aaaea3d337f84586d5df8888fe5455f55e0f83ed0be044ddfaa95e824a4b1318d5b552aaa24a44025e9&projectid=74f39a9d-a5dc-405f-9690-1c1fd4590ae4") format("woff2"),url("//fast.fonts.net/dv2/3/93012d7a-0932-4815-91d5-ede0b5311763.woff?d44f19a684109620e484147fa790e81859e92aaaea3d337f84586d5df8888fe5455f55e0f83ed0be044ddfaa95e824a4b1318d5b552aaa24a44025e9&projectid=74f39a9d-a5dc-405f-9690-1c1fd4590ae4") format("woff")}

Try this font now! Use the controls below to customize your text string and its appearance.

Try this web font now! Enter your text and click the 'Change Sample Text' button.

72 The quick brown fox jumps over the lazy dog. The quick brown fox jumps over the lazy dog.
60 The quick brown fox jumps over the lazy dog. The quick brown fox jumps over the lazy dog.
48 The quick brown fox jumps over the lazy dog. The quick brown fox jumps over the lazy dog.
36 The quick brown fox jumps over the lazy dog. The quick brown fox jumps over the lazy dog.
24 The quick brown fox jumps over the lazy dog. The quick brown fox jumps over the lazy dog.
18 The quick brown fox jumps over the lazy dog. The quick brown fox jumps over the lazy dog.
14 The quick brown fox jumps over the lazy dog. The quick brown fox jumps over the lazy dog.
12 The quick brown fox jumps over the lazy dog. The quick brown fox jumps over the lazy dog.
10 The quick brown fox jumps over the lazy dog. The quick brown fox jumps over the lazy dog.
8 The quick brown fox jumps over the lazy dog. The quick brown fox jumps over the lazy dog.
Loading...
Loading...
  • case
  • dnom
  • frac
  • locl
  • numr
  • ordn
  • pnum
  • sinf
  • sups
  • tnum
  • calt
  • salt
  • subs
  • ss01
  • ss02
  • ss03
  • ccmp
  • kern
  • mark
  • mkmk
  • case

    Case-Sensitive Forms

    Tag: case

    Function: Shifts various punctuation marks up to a position that works better with all-capital sequences or sets of lining figures; also changes oldstyle figures to lining figures. By default, glyphs in a text face are designed to work with lowercase characters. Some characters should be shifted vertically to fit the higher visual center of all-capital or lining text. Also, lining figures are the same height (or close to it) as capitals, and fit much better with all-capital text. The user selects a block of text and applies this feature. The dashes, bracketing characters, guillemet quotes and the like shift up to match the capitals, and oldstyle figures change to lining figures.
  • dnom

    Denominators

    Tag: dnom

    Function: Replaces selected figures which follow a slash with denominator figures. In the string 11/17 selected by the user, the application turns the 17 into denominators when the user applies the fraction feature.
  • frac

    Fractions

    Tag: frac

    Function: Replaces figures separated by a slash with 'common' (diagonal) fractions. The user enters 3/4 in a recipe and gets the threequarters fraction.
  • locl

    Localized Forms

    Tag: locl

    Function: Many scripts used to write multiple languages over wide geographical areas have developed localized variant forms of specific letters, which are used by individual literary communities. For example, a number of letters in the Bulgarian and Serbian alphabets have forms distinct from their Russian counterparts and from each other. In some cases the localized form differs only subtly from the script 'norm', in others the forms are radically distinct. This feature enables localized forms of glyphs to be substituted for default forms. The user applies this feature to text to enable localized Bulgarian forms of Cyrillic letters; alternatively, the feature might enable localized Russian forms in a Bulgarian manufactured font in which the Bulgarian forms are the default characters.
  • numr

    Numerators

    Tag: numr

    Function: Replaces selected figures which precede a slash with numerator figures, and replaces the typographic slash with the fraction slash. In the string 11/17 selected by the user, the application turns the 11 into numerators, and the slash into a fraction slash when the user applies the fraction feature.
  • ordn

    Ordinals

    Tag: ordn

    Function: Replaces default alphabetic glyphs with the corresponding ordinal forms for use after figures. One exception to the follows-a-figure rule is the numero character (U+2116), which is actually a ligature substitution, but is best accessed through this feature. The user applies this feature to turn 2.o into 2.o (abbreviation for secundo).
  • pnum

    Proportional Figures

    Tag: pnum

    Function: Replaces figure glyphs set on uniform (tabular) widths with corresponding glyphs set on glyph-specific (proportional) widths. Tabular widths will generally be the default, but this cannot be safely assumed. Of course this feature would not be present in monospaced designs. The user may apply this feature to get even spacing for lining figures used as dates in an all-cap headline.
  • sinf

    Scientific Inferiors

    Tag: sinf

    Function: Replaces lining or oldstyle figures with inferior figures (smaller glyphs which sit lower than the standard baseline, primarily for chemical or mathematical notation). May also replace lowercase characters with alphabetic inferiors. The application can use this feature to automatically access the inferior figures (more legible than scaled figures).
  • sups

    Superscript

    Tag: sups

    Function: Replaces lining or oldstyle figures with superior figures (primarily for footnote indication), and replaces lowercase letters with superior letters (primarily for abbreviated French titles). The application can use this feature to automatically access the superior figures (more legible than scaled figures) for footnotes, or the user can apply it to Mssr to get the classic form.
  • tnum

    Tabular Figures

    Tag: tnum

    Function: Replaces figure glyphs set on proportional widths with corresponding glyphs set on uniform (tabular) widths. Tabular widths will generally be the default, but this cannot be safely assumed. Of course this feature would not be present in monospaced designs. The user may apply this feature to get oldstyle figures to align vertically in a column.
  • calt

    Contextual Alternates

    Tag: calt

    Function: In specified situations, replaces default glyphs with alternate forms which provide better joining behavior. Used in script typefaces which are designed to have some or all of their glyphs join. In Caflisch Script, o is replaced by o.alt2 when followed by an ascending letterform.
  • salt

    Stylistic Alternates

    Tag: salt

    Function: Many fonts contain alternate glyph designs for a purely esthetic effect; these don't always fit into a clear category like swash or historical. As in the case of swash glyphs, there may be more than one alternate form. This feature replaces the default forms with the stylistic alternates. The user applies this feature to Industria to get the alternate form of g.
  • subs

    Subscript

    Tag: subs

    Function: The "subs" feature may replace a default glyph with a subscript glyph, or it may combine a glyph substitution with positioning adjustments for proper placement. Recommended implementation: First, a single or contextual substitution lookup implements the subscript glyph (GSUB lookup type 1). Then, if the glyph needs repositioning, an application may apply a single adjustment, pair adjustment, or contextual adjustment positioning lookup to modify its position.
  • ss01

    Sylistic Set 1

    Tag: ss01

    Function: In addition to, or instead of, stylistic alternatives of individual glyphs (see 'salt' feature), some fonts may contain sets of stylistic variant glyphs corresponding to portions of the character set, e.g. multiple variants for lowercase letters in a Latin font. Glyphs in stylistic sets may be designed to harmonise visually, interract in particular ways, or otherwise work together. Examples of fonts including stylistic sets are Zapfino Linotype and Adobe's Poetica. Individual features numbered sequentially with the tag name convention 'ss01' 'ss02' 'ss03' . 'ss20' provide a mechanism for glyphs in these sets to be associated via GSUB lookup indexes to default forms and to each other, and for users to select from available stylistic sets.
  • ss02

    Sylistic Set 2

    Tag: ss02

    Function: In addition to, or instead of, stylistic alternatives of individual glyphs (see 'salt' feature), some fonts may contain sets of stylistic variant glyphs corresponding to portions of the character set, e.g. multiple variants for lowercase letters in a Latin font. Glyphs in stylistic sets may be designed to harmonise visually, interract in particular ways, or otherwise work together. Examples of fonts including stylistic sets are Zapfino Linotype and Adobe's Poetica. Individual features numbered sequentially with the tag name convention 'ss01' 'ss02' 'ss03' . 'ss20' provide a mechanism for glyphs in these sets to be associated via GSUB lookup indexes to default forms and to each other, and for users to select from available stylistic sets.
  • ss03

    Sylistic Set 3

    Tag: ss03

    Function: In addition to, or instead of, stylistic alternatives of individual glyphs (see 'salt' feature), some fonts may contain sets of stylistic variant glyphs corresponding to portions of the character set, e.g. multiple variants for lowercase letters in a Latin font. Glyphs in stylistic sets may be designed to harmonise visually, interract in particular ways, or otherwise work together. Examples of fonts including stylistic sets are Zapfino Linotype and Adobe's Poetica. Individual features numbered sequentially with the tag name convention 'ss01' 'ss02' 'ss03' . 'ss20' provide a mechanism for glyphs in these sets to be associated via GSUB lookup indexes to default forms and to each other, and for users to select from available stylistic sets.
  • ccmp

    Glyph Composition/Decomposition

    Tag: ccmp

    Function: To minimize the number of glyph alternates, it is sometimes desired to decompose a character into two glyphs. Additionally, it may be preferable to compose two characters into a single glyph for better glyph processing. This feature permits such composition/decompostion. The feature should be processed as the first feature processed, and should be processed only when it is called. In Syriac, the character 0x0732 is a combining mark that has a dot above AND a dot below the base character. To avoid multiple glyph variants to fit all base glyphs, the character is decomposed into two glyphs...a dot above and a dot below. These two glyphs can then be correctly placed using GPOS. In Arabic it might be preferred to combine the shadda with fatha (0x0651, 0x064E) into a ligature before processing shapes. This allows the font vendor to do special handling of the mark combination when doing further processing without requiring larger contextual rules.

Current Product Technical Details

Format: OpenType Std (CFF)
Character Count:708
Product ID:FBC0204
Material Number:167452677
Technical Name(s):
File Name(s):IntroCond-Bold.otf
Window Menu Name(s):

Current Product Technical Details

Format:Desktop Compatible
Character Count:708
CSS Name:Intro Cond W05 Bold

Available Web Font Formats

Format:WOFF2
File Size:47.72 Kb
Browsers:
  • Chrome WOFF2 is supported in Chrome versions 36+
  • Firefox WOFF2 is supported in Firefox versions 39+
  • Microsoft Edge WOFF2 is supported in Microsoft Edge versions 14+
  • Opera WOFF2 is supported in Opera versions 26+
  • Safari WOFF2 is supported in Safari versions 12+
Format:WOFF
File Size:50.16 Kb
Browsers:
  • Chrome WOFF is supported in Chrome versions 5+
  • Firefox WOFF is supported in Firefox versions 3.6+
  • Internet Explorer WOFF is supported in Internet Explorer versions 9+
  • Opera WOFF is supported in Opera versions 11.1+
  • Safari WOFF is supported in Safari versions 5.1+