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72ABCDEabcde12345$€@&
60ABCDEabcde12345$€@&
48ABCDEabcde12345$€@&
36ABCDEabcde12345$€@&
24ABCDEabcde12345$€@&
18ABCDEabcde12345$€@&
14ABCDEabcde12345$€@&
12ABCDEabcde12345$€@&
10ABCDEabcde12345$€@&
8ABCDEabcde12345$€@&
72ABCDEabcde12345$€@&
60ABCDEabcde12345$€@&
48ABCDEabcde12345$€@&
36ABCDEabcde12345$€@&
24ABCDEabcde12345$€@&
18ABCDEabcde12345$€@&
14ABCDEabcde12345$€@&
12ABCDEabcde12345$€@&
10ABCDEabcde12345$€@&
8ABCDEabcde12345$€@&
72ABCDEabcde12345$€@&
60ABCDEabcde12345$€@&
48ABCDEabcde12345$€@&
36ABCDEabcde12345$€@&
24ABCDEabcde12345$€@&
18ABCDEabcde12345$€@&
14ABCDEabcde12345$€@&
12ABCDEabcde12345$€@&
10ABCDEabcde12345$€@&
8ABCDEabcde12345$€@&
72ABCDEabcde12345$€@&
60ABCDEabcde12345$€@&
48ABCDEabcde12345$€@&
36ABCDEabcde12345$€@&
24ABCDEabcde12345$€@&
18ABCDEabcde12345$€@&
14ABCDEabcde12345$€@&
12ABCDEabcde12345$€@&
10ABCDEabcde12345$€@&
8ABCDEabcde12345$€@&
72ABCDEabcde12345$€@&
60ABCDEabcde12345$€@&
48ABCDEabcde12345$€@&
36ABCDEabcde12345$€@&
24ABCDEabcde12345$€@&
18ABCDEabcde12345$€@&
14ABCDEabcde12345$€@&
12ABCDEabcde12345$€@&
10ABCDEabcde12345$€@&
8ABCDEabcde12345$€@&
72ABCDEabcde12345$€@&
60ABCDEabcde12345$€@&
48ABCDEabcde12345$€@&
36ABCDEabcde12345$€@&
24ABCDEabcde12345$€@&
18ABCDEabcde12345$€@&
14ABCDEabcde12345$€@&
12ABCDEabcde12345$€@&
10ABCDEabcde12345$€@&
8ABCDEabcde12345$€@&
72ABCDEabcde12345$€@&
60ABCDEabcde12345$€@&
48ABCDEabcde12345$€@&
36ABCDEabcde12345$€@&
24ABCDEabcde12345$€@&
18ABCDEabcde12345$€@&
14ABCDEabcde12345$€@&
12ABCDEabcde12345$€@&
10ABCDEabcde12345$€@&
8ABCDEabcde12345$€@&
72ABCDEabcde12345$€@&
60ABCDEabcde12345$€@&
48ABCDEabcde12345$€@&
36ABCDEabcde12345$€@&
24ABCDEabcde12345$€@&
18ABCDEabcde12345$€@&
14ABCDEabcde12345$€@&
12ABCDEabcde12345$€@&
10ABCDEabcde12345$€@&
8ABCDEabcde12345$€@&
72ABCDEabcde12345$€@&
60ABCDEabcde12345$€@&
48ABCDEabcde12345$€@&
36ABCDEabcde12345$€@&
24ABCDEabcde12345$€@&
18ABCDEabcde12345$€@&
14ABCDEabcde12345$€@&
12ABCDEabcde12345$€@&
10ABCDEabcde12345$€@&
8ABCDEabcde12345$€@&
72ABCDEabcde12345$€@&
60ABCDEabcde12345$€@&
48ABCDEabcde12345$€@&
36ABCDEabcde12345$€@&
24ABCDEabcde12345$€@&
18ABCDEabcde12345$€@&
14ABCDEabcde12345$€@&
12ABCDEabcde12345$€@&
10ABCDEabcde12345$€@&
8ABCDEabcde12345$€@&
72ABCDEabcde12345$€@&
60ABCDEabcde12345$€@&
48ABCDEabcde12345$€@&
36ABCDEabcde12345$€@&
24ABCDEabcde12345$€@&
18ABCDEabcde12345$€@&
14ABCDEabcde12345$€@&
12ABCDEabcde12345$€@&
10ABCDEabcde12345$€@&
8ABCDEabcde12345$€@&
72ABCDEabcde12345$€@&
60ABCDEabcde12345$€@&
48ABCDEabcde12345$€@&
36ABCDEabcde12345$€@&
24ABCDEabcde12345$€@&
18ABCDEabcde12345$€@&
14ABCDEabcde12345$€@&
12ABCDEabcde12345$€@&
10ABCDEabcde12345$€@&
8ABCDEabcde12345$€@&
72ABCDEabcde12345$€@&
60ABCDEabcde12345$€@&
48ABCDEabcde12345$€@&
36ABCDEabcde12345$€@&
24ABCDEabcde12345$€@&
18ABCDEabcde12345$€@&
14ABCDEabcde12345$€@&
12ABCDEabcde12345$€@&
10ABCDEabcde12345$€@&
8ABCDEabcde12345$€@&
72ABCDEabcde12345$€@&
60ABCDEabcde12345$€@&
48ABCDEabcde12345$€@&
36ABCDEabcde12345$€@&
24ABCDEabcde12345$€@&
18ABCDEabcde12345$€@&
14ABCDEabcde12345$€@&
12ABCDEabcde12345$€@&
10ABCDEabcde12345$€@&
8ABCDEabcde12345$€@&
72ABCDEabcde12345$€@&
60ABCDEabcde12345$€@&
48ABCDEabcde12345$€@&
36ABCDEabcde12345$€@&
24ABCDEabcde12345$€@&
18ABCDEabcde12345$€@&
14ABCDEabcde12345$€@&
12ABCDEabcde12345$€@&
10ABCDEabcde12345$€@&
8ABCDEabcde12345$€@&
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Access All Alternates
Tag: aalt
Function: This feature makes all variations of a selected character accessible. This serves several purposes: An application may not support the feature by which the desired glyph would normally be accessed; the user may need a glyph outside the context supported by the normal substitution, or the user may not know what feature produces the desired glyph. Since many-to-one substitutions are not covered, ligatures would not appear in this table unless they were variant forms of another ligature. A user inputs the P in Poetica, and is presented with a choice of the four standard capital forms, the eight swash capital forms, the initial capital form and the small capital form.
Fractions
Tag: frac
Function: Replaces figures separated by a slash with 'common' (diagonal) fractions. The user enters 3/4 in a recipe and gets the threequarters fraction.
Standard Ligatures
Tag: liga
Function: Replaces a sequence of glyphs with a single glyph which is preferred for typographic purposes. This feature covers the ligatures which the designer/manufacturer judges should be used in normal conditions. The glyph for ffl replaces the sequence of glyphs f f l.
Localized Forms
Tag: locl
Function: Many scripts used to write multiple languages over wide geographical areas have developed localized variant forms of specific letters, which are used by individual literary communities. For example, a number of letters in the Bulgarian and Serbian alphabets have forms distinct from their Russian counterparts and from each other. In some cases the localized form differs only subtly from the script 'norm', in others the forms are radically distinct. This feature enables localized forms of glyphs to be substituted for default forms. The user applies this feature to text to enable localized Bulgarian forms of Cyrillic letters; alternatively, the feature might enable localized Russian forms in a Bulgarian manufactured font in which the Bulgarian forms are the default characters.
Numerators
Tag: numr
Function: Replaces selected figures which precede a slash with numerator figures, and replaces the typographic slash with the fraction slash. In the string 11/17 selected by the user, the application turns the 11 into numerators, and the slash into a fraction slash when the user applies the fraction feature.
Stylistic Alternates
Tag: salt
Function: Many fonts contain alternate glyph designs for a purely esthetic effect; these don't always fit into a clear category like swash or historical. As in the case of swash glyphs, there may be more than one alternate form. This feature replaces the default forms with the stylistic alternates. The user applies this feature to Industria to get the alternate form of g.
Sylistic Set 1
Tag: ss01
Function: In addition to, or instead of, stylistic alternatives of individual glyphs (see 'salt' feature), some fonts may contain sets of stylistic variant glyphs corresponding to portions of the character set, e.g. multiple variants for lowercase letters in a Latin font. Glyphs in stylistic sets may be designed to harmonise visually, interract in particular ways, or otherwise work together. Examples of fonts including stylistic sets are Zapfino Linotype and Adobe's Poetica. Individual features numbered sequentially with the tag name convention 'ss01' 'ss02' 'ss03' . 'ss20' provide a mechanism for glyphs in these sets to be associated via GSUB lookup indexes to default forms and to each other, and for users to select from available stylistic sets.
Sylistic Set 2
Tag: ss02
Function: In addition to, or instead of, stylistic alternatives of individual glyphs (see 'salt' feature), some fonts may contain sets of stylistic variant glyphs corresponding to portions of the character set, e.g. multiple variants for lowercase letters in a Latin font. Glyphs in stylistic sets may be designed to harmonise visually, interract in particular ways, or otherwise work together. Examples of fonts including stylistic sets are Zapfino Linotype and Adobe's Poetica. Individual features numbered sequentially with the tag name convention 'ss01' 'ss02' 'ss03' . 'ss20' provide a mechanism for glyphs in these sets to be associated via GSUB lookup indexes to default forms and to each other, and for users to select from available stylistic sets.
Glyph Composition/Decomposition
Tag: ccmp
Function: To minimize the number of glyph alternates, it is sometimes desired to decompose a character into two glyphs. Additionally, it may be preferable to compose two characters into a single glyph for better glyph processing. This feature permits such composition/decompostion. The feature should be processed as the first feature processed, and should be processed only when it is called. In Syriac, the character 0x0732 is a combining mark that has a dot above AND a dot below the base character. To avoid multiple glyph variants to fit all base glyphs, the character is decomposed into two glyphs...a dot above and a dot below. These two glyphs can then be correctly placed using GPOS. In Arabic it might be preferred to combine the shadda with fatha (0x0651, 0x064E) into a ligature before processing shapes. This allows the font vendor to do special handling of the mark combination when doing further processing without requiring larger contextual rules.