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Learn About Fonts & Typography

Explore the world of typography with as your guide. Our Learn About Fonts & Typography section is your resource for improving your typographic acumen and keeping up with what’s new on and the latest trends in visual design.

Recent articles

Browse the most recent contributions to Fontology, the Blog and fy(t)i.

Featured Web Font: ITC Conduit

It’s hard to imagine someone referring to the ITC Conduit® design as being beautiful – or even handsome. “Quirky” doesn’t quite fit the description either; although many letters are clearly idiosyncratic. Somehow, its naive shapes and graceless proportions strike a familiar chord. As its designer, Mark van Bronkhorst says, “there is an honesty to the […]

Web & Desktop Fonts in One Subscription!

We’re excited to announce some brand new updates to the Monotype Library Subscription we offer here on While this product has always been a tremendous value for designers, it’s now even better. Starting at just $9.99 a month with an annual contract, the Monotype Library Subscription now comes with the ability to use any […]

Top 100 Web Fonts for February 2017

Long a favorite of typographers and lovers of type, Caslon has always held a position of importance. Benjamin Franklin admired Caslon; which may account for why both the Declaration of Independence and the Constitution of the United States were first printed in this typestyle. George Bernard Shaw, another famous lover of type, insisted that all […]

Introducing Masqualero

The Masqualero™ typeface family has charisma, unrelenting sophistication, and – like the legendary Miles Davis jazz composition of the same name – more than a little attitude. Davis once said, “Don’t play what’s there, play what’s not there.” Drawn by Jim Ford, a Monotype Studio designer, Masqualero isn’t influenced by historical models or trends. It’s […]

Better Paragraph Spacing

Having learned about styling paragraphs for the web in the prior post, Paragraph Spacing, this follow-up will provide a little history about paragraphing, explain why paragraphs are important, show how to use HTML and CSS to style them, and offer alternate methods for marking paragraphs—such as using the pilcrow (¶). So what will it be? […]

Applied Sans: A Classic and Contemporary Fusion

The Applied Sans™ typeface family takes the charm of early sans serif designs and restifies it for the 21st century. The first sans serifs typefaces widely used in print were Germanic in origin – designs like Ideal Grotesk and Venus. Admired for their neutrality and simplicity, when compared to other typefaces of the time, they […]

Paragraph Spacing

As a web designer, do you take paragraphs for granted? Putting in little to no effort designing them? Using whatever built-in paragraph <p> format your content management system provides? Relying on the defaults of your WYSIWYG web editor? Worse yet, doing next to nothing and hoping the browser takes care of it for you? If […]

Top 100 Web Fonts for December 2016

Linotype’s classic “Legibility Group” of typefaces are the earliest designs specifically created to be highly legible in a less than ideal reading environment. Designed in the 1920s, their goal was to improve the reading experience in newspapers of the day. The designers of these metal typefaces enlarged lowercase x-heights and made the glyphs proportionally wider. […]

The Right Bold & Italic for the Right Job

Imagine a world without italic typography. How would you style magazines, books, newspapers, TV shows, and other titles? You’d have to settle for underlines or quotes. Now imagine no bold typography. How would you establish hierarchy or design your headings? Without italic or bold, how would you create emphasis or a lot of emphasis? It’s […]

Top 100 Web Fonts for November 2016

It’s as if the PMN Caecilia® family was destined for the web. Peter Matthias Noordzij combined classical ductus with a contemporary vibe to create this friendly and versatile slab serif family. In addition, its large x-height, open counters, simple character shapes and sturdy serifs all contribute to the design’s high levels of legibility. With numerous […]

Writing is not a series of strokes, but space, divided into characteristic shapes by strokes.

Gerrit Noordzij