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Fontology

 
Level 1
A Typographic Foundation:
 
Level 2
Practical Typography:
 
Level 3
Numbers, Signs and Symbols:
 
Level 4
Designers and Details:
 
  • Fine Typography
  • Type Technology
  • Influential Personalities

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Module: Fine Typography

“Good typography” is the minimum acceptable solution; “fine typography” is what we aspire to. It includes things like hanging punctuation, using small capitals and creating “invisible” rags. Sections in this module provide the basis for the best typographic design.

  • Oldstyle Figures

    Oldstyle Figures

    Oldstyle figures are a style of numeral which approximate lowercase letterforms by having an x-height and varying ascenders and descenders. They are considerably different from the more common “lining” (or “aligning”) figures which are all-cap height and typically monospaced in text faces so that they line up vertically on charts.

  • It's About Legibility

    It's About Legibility

    Typographic clarity comes in two flavors: legibility and readability. What’s the difference? Legibility is a function of typeface design. It’s an informal measure of how easy it is to distinguish one letter from another in a particular typeface. Readability, on the other hand, is dependent upon how the typeface is used. Readability is about typography. It is a gauge of how easily words, phrases and blocks of copy can be read.

  • Using Alternate Characters

    Using Alternate Characters

    Swash characters are variations of the standard, default characters in a typeface. They are designed as options for customizing the look and personality of both text and display settings. More and more typefaces are designed with alternate characters, thanks to the expanded character capacity of OpenType® technology.

  • Using Swash Characters

    Using Swash Characters

    Swash characters are those with embellishments that extend off the standard character. A swash character is usually – but not always – an alternate to the regular, unadorned default letterform. More and more typefaces are designed with swash characters, thanks to the expanded character capacity of OpenType® technology.

  • Hanging Punctuation

    Hanging Punctuation

    Hanging (or hung) punctuation refers to the practice of extending certain punctuation marks into the margin of a flush edge of text, to give the appearance of a more uniform vertical alignment.

  • Locating Alternate Glyphs

    Locating Alternate Glyphs

    Given the expanded capacity of OpenType® fonts to accommodate thousands of characters, finding the ones you want can be challenging. But finding the ones you want is only an issue if you know they are there in the first place.

  • Braces and Brackets

    Braces and Brackets

    The character set of a typeface includes a broad range of punctuation marks. Among them are parentheses, braces and brackets. These three pairs of symbols all serve to enclose additional information – words, numbers or symbols – generally not essential to the meaning of the sentence or paragraph. Although all three marks share this function, they have specialized usages as well.

  • End Marks

    End Marks

    An end mark is a small graphic element placed at the end of a chapter, article or story. It provides a visual cue to the reader, signifying the end of a topic, section or piece. End marks are commonly used in magazines, newsletters, journals, and other publications containing multiple articles whose end point is not necessarily apparent to the reader.

  • Customizing Type Software Settings

    Customizing Type Software Settings

    There are many seemingly small, yet highly significant details that contribute to creating professional-looking typography, and in turn, good design. A number of these can be controlled with the settings of your software.

  • Breaking for Sense

    Breaking for Sense

    Setting type has changed drastically from the days of metal and phototypesetting. The responsibility for composing type no longer lies with a highly skilled, dedicated typographer, but more often with a designer or production artist, who may not be trained in this skill.